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Release me here
Just let me face you
Please be still now
Before the takedown
Release me here
Just let me face you
Please be still now
Before the takedown
I´m walking slowly with blindfolds tied hard over my eyes
Breathing in the dusty smell of oil and your crooked wealth
In any other situation I am weaker than most,
But now I´m ready to explode, I am ready to set things straight
Captured by those who thinks they´re gods
Blinded by those who speak of gold and fame
Pushes me further towards the flames
Filthy tongues whisper my name
Release me here
Just let me face you
Please be still now
Before the takedown
Drag them in, spit ´em out
Make them feel fearless
Drag them in, spit ´em out
Make them feel fearless
Move beyond, throw the flame
Make them pay for
Their own mistakes
Release me here
Just let me face you
Please be still now
Before the takedown
supported by 37 fans who also own “Universal Chaos”
I love this record because I think fat, greasy dog turds look best rolled in glitter. In this case, it was ProTools: AoaDC is somehow innocuous but insipid, with most of its best and worst moments becoming completely mitigated by studio sterility. I'm gonna give this album another try next time I'm taking it in the ass; that seems to increase its quality, according to another review here on Bandcamp. THE GREAT CORNHOLIO
supported by 30 fans who also own “Universal Chaos”
The songs are masterfully composed and flow together beautifully, and the orchestration is exactly how I want metal orchestration to sound: full, playable by a real orchestra, and just as important to the music as the vocals, drums, guitar, and bass are. tonycordeshimself