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supported by 37 fans who also own “Universal Chaos”
I love this record because I think fat, greasy dog turds look best rolled in glitter. In this case, it was ProTools: AoaDC is somehow innocuous but insipid, with most of its best and worst moments becoming completely mitigated by studio sterility. I'm gonna give this album another try next time I'm taking it in the ass; that seems to increase its quality, according to another review here on Bandcamp. THE GREAT CORNHOLIO
supported by 30 fans who also own “Universal Chaos”
The songs are masterfully composed and flow together beautifully, and the orchestration is exactly how I want metal orchestration to sound: full, playable by a real orchestra, and just as important to the music as the vocals, drums, guitar, and bass are. tonycordeshimself